Saturday, January 28, 2023

dxiv. COREA, Chick: The Game Maker

dxiv. COREA, Chick (1941-2021)

The Game Maker (1973)
CC, keyboards
Bill Connors, guitar
Stanley Clarke, bass
Lenny White, drums
(6:46)



The third Return to Forever album, no Flora, no Farrell, no Airto ...

This tune -- the album closer -- is in the Phrygian mode, something Chick often used -- is hard, driving, almost furious, with Chick and Connors trading fours. It's all solid fusion.

Wednesday, January 25, 2023

dxi. VARIOUS ARTISTS: Louie Louie

dxi. VARIOUS ARTISTS

Louie Louie

26 Versions


Three-chord rock and roll was invented not by The Kingsmen (as many believe), but by Richard Berry -- who wrote the song in 1955, recorded it in '56, and released it in '57.


Berry based the song on an Afro-Cuban cover by René Touzet titled El Loco Cha Cha, which itself was based on the tune Amarren al Loco ("Tie Up the Madman") by Cuban bandleader Rosendo Ruiz.


Ahí viene el loc, que amarren al loco
Que yo no quiero tener problemas con ese loco
Ahí viene el loc, que amarren al loco
Que yo no quiero tener problemas con ese loco

La gente se está volviendo loca
Nadie sabe dónde iremos a parar
Y según el comentario de la calle
La culpa la tiene el cha cha chá

Díselo porque se va a bailar el cha cha chá

Here comes the lunatic, they should tie up that lunatic
I don't want to have problems with that lunatic
Here comes the lunatic, they should tie up that lunatic
I don't want to have problems with that lunatic

People are going crazy
No one knows where we're going to stop
And according to the word on the street
The cha cha chá is to blame

Tell him why he's going to dance the cha cha chá


Louie Louie
Me gotta go
Louie Louie
Me gotta go

Fine little girl she wait for me
Ya catch the ship across the sea
I sail the ship, all alone
I never think I'll make it home

Louie Louie
Me gotta go
Louie Louie
Me gotta go

Three nights and days me sail the sea
Me think of girl, constantly
On that ship, I dream she there
I smell the rose in her hair

Louie Louie
Me gotta go
Well, Louie Louie, oh baby
Me gotta go

Me see Jamaica, the moon above
It won't be long, me see me love
Me take her in my arms and then
I tell her -- ah -- I never leave again

Louie Louie
Me gotta go
Louie Louie
Me gotta go
I say me gotta go
Me gotta go
Me gotta go

Berry sold the rights to Max Feirtag, the head of Flip Records, for $750, to raise cash for his upcoming wedding.


Roberts died young in a car accident in 1967. Dave Marsh (The History and Mythology of the World's Most Famous Rock'n'Roll song; including the Full Details of its Torture and Persecution at the Hands of the Kingsmen, J. Edgar Hoover's F.B.I., and a Cast of Millions; and introducing, for the First Time Anywhere, the Actual Dirty Lyrics [Hyperion] 1992) dedicated the book "For Richard Berry, who gave birth to this unruly child, and Rockin' Robin Roberts, who first raised it to glory."


A wonderful "mistake" occurs here, when Ely begins his vocal too soon.


"Grab yo woman, it's-a 'Louie Louie' time!"


Modulations here and here!


from his debut album Pain in My Heart.


The first girl group to cover the song. Their big hit was My Boyfriend's Back (1963).


A little slower and draggy, it's not quite on level of their bigger hit, You Really Got Me.


Easy listening, You knew it had to happen.


And you also knew an instrumental version was sure to appear. He reportedly achieved that fuzztone by playing through an overdriven drive-in movie speaker.


An interesting take, with a completely different harmonic changes. Instead of the usual I-IV-V-IV, they do I-bIII-IV-bIII (B-Flat/D-Flat/E-Flat/D-Flat). Raunchy.


And, of course, someone had to come around and bring the tune back to its original Afro-Cuban roots. Some great blaring trumpet playing, here.


Zappa called the riff "The Archetypal American Musical Icon."


Primal.


Are you kidding me? Thirteen minutes of this guy? Bring on the root canal.

"Before punk it was like you had to have a double degree in music. It was a liberation for someone like me who was totally unmusical but wanted to have a go."

Okay, now go. Please.


I'm getting a headache.


The Boss rocks out.


Mercifully brief.


A couple of real muzishins take hold of the old chestnut. Duke's solos (staccato synth and funky piano) are severely understated.


Up-tempo Latin groove -- "Comin' home, Jamaaaica!"

The composer (Berry) loved it, saying he thought that White finally brought to life his original vision of "all the timbales and congas going."


Hip hop. "I want that fat-ternity closed down," says an old white dude on the phone. The video -- Animal House-style -- is hilarious. The lyrics pointedly focus on the 60's mania about the "dirty lyrics." (The FBI spent over two years trying to figure it out) ... very tight backing.


Patrick Dempsey, Arye Gross and Daniel Stern argue about the lyrics. Hilarious!


Some nice lyrics substitutions:

And now, the news

The communist world is fallin' apart
The capitalists are just breakin' hearts
Money is the reason to be
It makes me just wanna sing, Louie Louie

And a fine little girl, she is waitin' for me
But I'm as bent as Dostoevsky
I think about the meaning of my life again
And I have to sing Louie Louie again

Oh man, I dunno, like man, you know
I dunno like health insurance
And the homeless and world peace
And AIDS and education, I mean that
I'm tryin' to do right but hey
Life after Bush and Gorbachev
The wall is down but something is lost
Turn on the news, it looks like a movie
It makes me wanna sing, Louie Louie


The band broke up and Nadarajah turned to crime and in 2004 was sentenced to seven years for supplying cocaine to a London drug gang.

Saturday, January 21, 2023

dvii. DAVIS, Miles: Half Nelson

dvii. DAVIS, Miles (1926-1991)

Half Nelson (1956)
MD, trumpet
John Coltrane, tenor saxophone
Red Garland, piano
Paul Chambers, bass
Philly Joe Jones, drums
(4:48)


from Workin' with the Miles Davis Quintet


Very cool early MD bop. A momentous head which features off-beat 1/8ths (bar 5) and rushing 16ths (bars 7-8).

Miles solos, then Trane, then they do an ensemble thing trading fours with Jones and repeat the head.

A head-spinning bowl of bop.


Thursday, January 19, 2023

dv. SIMON, Paul: Born at the Right Time

dv. SIMON, Paul (1941-       )

Born at the Right Time (1990)
PS, guitar, vocals
Vincent Nguini, guitar
J.J. Cale, guitar
Armand Sabal-Lecco, bass
Bakithi Kumalo, bass
Felix Sabal-Lecco, drums
C.J. Chenier, accordion
Ya Yo de la Nelson, chakeire
Sidinho, bass drum, bottles, congas
Dom Chacal, congas
Mingo Araújo, congas, go go bells
Florence Gnimganon, background vocals
Charlotte Mbango, background vocals
Djana'd, background vocals
Mbango Catherine, background vocals
(3:49)


Down among the reeds and rushes
A baby boy was found
His eyes as clear as centuries
His silky hair was brown

Never been lonely
Never been lied to
Never had to scuffle in fear
Nothing denied to
Born at the instant
The church bells chime
And the whole world whispering
Born at the right time

Me and my buddies we are travelling people
We like to go down to restaurant row
Spend those Euro-dollars
All the way from Washington to Tokyo
I see them in the airport lounge
Upon their mother's breast
They follow me with open eyes
Their uninvited guest

Never been lonely
Never been lied to
Never had to scuffle in fear
Nothing denied to
Born at the instant
The church bells chime
And the whole world whispering
Born at the right time

Too many people on the bus from the airport
Too many holes in the crust of the earth
The planet groans
Every time it registers another birth

But down among the reeds and rushes
A baby girl was found
Her eyes as clear as centuries
Her silky hair was brown

Never been lonely
Never been lied to
Never had to scuffle in fear
Nothing denied to
Born at the instant
The church bells chime
And the whole world whispering
Born at the right time

Tuesday, January 17, 2023

diii. HARRISON, George: Never Get Over You

diii. HARRISON, George (1943-2001)

Never Get Over You (2002)
GH, guitar, vocals
Jeff Lynne, bass, piano
Jim Keltner, drums
(3:25)


I know I'll never get over you
So deep this feeling that I have for you
Your eyes pierce through my heart
Your smile tears me apart
I knew it, it's so tue
I'll never get over you

You touch me making my heart race
So much was written on your face
I knew when you arrived
That no words could describe
What your love made me do
I'll never get over you

Girl, you're so much heart and soul
Girl, was a moonlit night you came into my life
And now this feeling has grown
And if you leave me alone I know
I'll never get over you

So hide the moments when I feel blue
You warm the coldest feet
Can cool me in the heat
And all though love was new
I'll never get over you
My understanding grew
But I'll never get over, never get over you

Sunday, January 15, 2023

di. ZAPPA, Frank: Montana

di. ZAPPA, Frank (1940-1993)

Montana

15 versions in chronological order

from Waka/Wazoo (2022):



from Over-Nite Sensation (1973):


2. March 20/May 26, 1973
FZ, guitar, vocals
Ralph Humphrey, drums
Sal Marquez, trumpet, vocals
George Duke, keyboards
Tom Fowler, bass
Bruce Fowler, trombone
Ruth Underwood, percussion
Ian Underwood, flute, clarinet, tenor saxophone
Jean-Luc Ponty, violin
Kim Vassy, vocals
Tina Turner, backing vocals
Debbie, backing vocals
Lynn, backing vocals
(6:36)


3. August 24, 1973
FZ, guitar, vocals
Jean-Luc Ponty, violin
George Duke, keyboards
Ian Underwood, bass clarinet, synth
Ruth Underwood, percussion
Bruce Fowler, trombone
Tom Fowler, bass
Ralph Humphrey, drums
(7:02)


from Halloween 73 (2019):






from The Roxy Performances (2018):


from Zappa/Erie (2022):



from Zappa/Erie (2022):






This is an exceptionally cool version. A guy in the audience wants them to play The Allman Brothers Band's Whipping Post (see Post cclxxvii). After that, the band begins Montana, but Zappa stops them after six bars, because it's "too fast" for Ruth and Chester. He then counts it off again and it becomes a "ballad."

Saturday, January 14, 2023

d. BEATLES, THE: Savoy Truffle

d. THE BEATLES

Savoy Truffle (1968)
George, vocal, guitar
Paul, bass, vocal
Ringo, drums, tambourine, bongos
Chris Thomas, keyboards
Art Ellefson, tenor saxophone
Danny Moss, tenor saxophone
Derek Collins, tenor saxophone
Harry Klein, tenor saxophone
Ronnie Ross, baritone saxophone
Bernard George, baritone saxophone
(2:54)


from: The Beatles


George making fun of Eric Clapton's sweet tooth, and frequent dental appointments.

"He was over at my house and I had a box of 'Good News' chocolates on the table and wrote the song from the names inside the lid -- 'creme tangerine,' 'montelimar,' 'ginger sling' -- 'you'll have to have them all pulled out after the Savoy Truffle.'" -- George

Harrison also slipped in a little reference to Paul's Ob-La Di, Ob-Bla-Da.

George also asked engineer Ken Scott to distort the saxes. When the session guys came up to the control room to listen to playback, George said to them:

"Before you listen I've got to apologize for what I've done to your beautiful sound. Please forgive me -- but it's the way I want it."

**









Friday, January 13, 2023

cdxcix. METHENY, Pat: Oceania

cdxcix. METHENY, Pat (1954-       )

Oceania (1996)
PM, guitars
Lyle mays, keyboards
Steve Rodby, bass
Paul Wertico, drums, percussion
(3:47)


from: Quartet


A departure from the normally orchestrated forms the group usually recorded, this is a group improvisation -- mostly acoustic, except when Pat plays that distinctive Roland GR-303.



cmlxxv. MITCHELL, Joni: Songs to Aging Children Come

cmlxxv. MITCHELL, Joni (1943-       ) Songs to Aging Children Come (1969) JM, guitar, vocals Stephen Stills, guitar, bass (3:10) Through th...