Sunday, July 31, 2022

cccxxxiii. ZAPPA, Frank: Trouble Every Day

cccxxxiii. ZAPPA, Frank (1940-1993)

Trouble Every Day (2016)
FZ, guitar, vocals
Ray Collins, harmonica, tambourine, finger cymbals
Jim Black, drums
Roy Estrada, bass
Elliot Ingber, rhythm guitar
(5:50)


from Zappatite: Frank Zappa's Tastiest Tracks.


This is a greatest hits album -- the song is originally from FZ's debut album Freak Out! (1966).

Written just a year after the Watts riots, the song encapsulated ideas that are still as pertinent today as they were nearly 60 years ago.

The story goes that Tom Wilson -- a talent scout for MGM -- heard the band playing this song in a club, and thinking that they were a "white blues band," convinced his bosses to sign him up. Zappa remarked that during the actual recording sessions, when Wilson realized how weird the rest of the music was, he could be seen frantically grabbing the phone and making a call to his bosses.

"Um, this might not be what we expected."

**

Well, I'm about to get up sick
From watchin' my TV
Been checkin' out the news until my eyeballs fail to see
I mean to say that every day is just another rotten mess
And when it's gonna change, my friends, is anybody's guess

So I'm watchin' and I'm waitin'
Hopin' for the best
Every think I'll go to prayin'
Every time I hear 'em sayin'
That there's no way to delay that trouble comin' every day
No way to delay that trouble coming' every day

Wednesday I watched the riot, I seen the cops out on the street
Watched 'em throwin' rocks and stuff and chokin' in the heat
Listened to reports about the whiskey passin' round
Seen the smoke and fire and the market burnin' down
Watched while everybody on his street would take a turn
To stomp and smash and bash and crash and slash and bust and burn

And I'm watchin' and I'm waitin'
Hopin' for the best
Even think I'll go to prayin'
Every time I hear them sayin'
That there's no way to delay that trouble comin' every day
No way to delay that trouble coming' every day

Well, you can cool it you can heat it
'Cause baby, I don't need it
Take your TV tube and eat it
And all that phony stuff on sports and all the unconfirmed reports
You know I watched that rotten box until my head began to hurt
From checkin' out the way the newsmen stay they get the dirt
Before the guys on channel so-and-so, further they assert
That any show they'll interrupt
To bring you news if it comes up
They say that if the place blows up
They'll be the first to tell
Because the boys they got downtown are workin' hard and doin' swell
And if anybody gets the news
Before it hits the street
They say that no one blabs it faster
Their coverage can't be beat
And if another woman driver
Gets machine-gunned from her seat
They'll send some joker with a brownie and you'll see it all complete

So I'm watchin' and I'm waitin'
Hopin' for the best
Even think I'll go to prayin'
Every time I hear them sayin'
That there's no way to delay that trouble comin' every day
No way to delay that trouble coming' every day

Hey, you know something people?
I'm not black but there's a whole lots of times I wish I could say I'm not white

Well, I seen the fires burnin' and the local people turnin'
On the merchants and the shops
Who used to sell their broom and mops
And every other household item
Watched the mob just turn and bite 'em
And they say it served 'em right
Because a few of them were white
And it's the same across the nation
Black and white discrimination
Yellin' "you can't understand me!"
And all that other jazz they hand me
In the papers and TV and all that mass stupidity
That seems to grow more every day
Each time you hear some nitwit say
He want to go and do you in
'Cause the color of your skin
Just don't appeal to him
No matter if it's black of white
Because he's out for blood tonight

You know we gotta sit around at home
And watch this thing begin
But I bet there won't be many here to see it really end
'Cause the fire in the street ain't like the fire in the heart
And in the eyes of all these people
Don't you know that this could start
On any street, in any town
In any state if any clown
Decides that now's the time fight
For some ideal he thinks is right
And if a million more agree
There ain't no great society
As it applies to you and me
Our country isn't free
And the law refuse to see if all that you can ever be
Is just a lousy janitor
Unless your uncle owns a store
You know that five in every four
Just won't amount to nothin' more
Than watchin' rats go across the floor
And make up songs about being poor

Blow your harmonica, son!

Friday, July 29, 2022

cccxxxi. MINTZER, Bob: Bossa

cccxxxi. MINTZER, Bob (1953-       )

Bossa (1998)
BM, tenor saxophone
Peter Erskine, drums
Phil Markowitz, piano
Jay Anderson, bass
(7:19)


from Quality Time.


A Mintzer original, as faithful to the concept of the bossa nova as a geyser in Yellowstone. Erskine is rock solid, as are Markowitz and Anderson. What a quartet!

Wednesday, July 27, 2022

cccxxix. SIMON, Paul: Adios Hermanos

cccxxix. SIMON, Paul (1941-       )

Adios Hermanos (1997)
PS, lead vocals
Briz, background vocals
Myrna Gomila, background vocals
Karen Bernod, background vocals
Renee Connell-Adams, background vocals
DeWayne Snype, background vocals
Kia Jeffries, background vocals
Ed Vasquez, background vocals
Derrick James, background vocals
Oriente Lopez, organ
(4:45)


from Songs From the Capeman.


The Broadway musical was an unfortunate flop, losing $11 mil.

The album didn't sell well, either. Written with Derek Walcott, a play about injustice just didn't draw in the (mostly white) theater-going public.

**

It was the morning of October 6th, 1960
I was wearing my brown suit
Preparing to leave the House of D
Shook some hands, then adios, Brooklyn amigos
Maybe some of them had hopes of seeing me again
Some even said that my judge -- Judge Gerald Culkin --
Wouldn't play it by the book
Maybe let us off the hook
But, whoa, I knew better

Afraid to leave the projects
To cross into another neighborhood

The blancos and the nigger gangs
Well, they'd kill you if they could

Angel of Mercy, people are suffering
All over the world
Spanish children are taught on their knees to believe
Angel of Mercy, people are suffering
All over the island tonight
Mothers weep, sisters grieve

Well, I entered the courtroom
State of New York, County of New York
Just some spic
They scrubbed off the sidewalk
Guilty by my dress
Guilty in the press
"Let the Capeman burn for the murders"

Well the Spanish boys had their day in court
And now it was time for some fuckin' law and order
"The electric chair
For the greasy pair"
Said the judge to the court reporter

Afraid to leave the projects
To cross into another neighborhood

The newspapers and the TV crews
Well they'd kill you if they could

Angel of Mercy, people are suffering
All over the world
A Spanish boy could be killed every night of the week

But just let some white boy die
And the world goes crazy for blood -- Latin blood

I don't lie when I speak
Well, they shackled my hands
A heavy belt around my waist to restrain me
And they shackled my legs

Hernandez, the "Umbrella Man," chained beside me
Then we rode that Black Maria
Through the streets of Spanish Harlem

Calling old friends on the corners
Just to lay our prayers upon them

Crying "Adios, hermanos, adios"
Adios, hermanos, adios

Monday, July 25, 2022

Saturday, July 23, 2022

cccxxv. DOLPHY, Eric: Naima

cccxxv. DOLPHY, Eric (1928-1964)

Naima (1964)
ED, alto saxophone, bass clarinet, flute
Nathan Davis, tenor saxophone
Donald Byrd, trumpet
Jacques B. Hess, bass
Jacky Bambou, congas
Franco Manzecchi, drums
(15:16)


from Naima.


Recorded June 11, 1964 in Paris, just 18 days before Dolphy's passing.

A different rhythmic take on Coltrane's classic, with a latin beat (congas prominent). Eric's bass clarinet solo is riveting.

Friday, July 22, 2022

cccxxiv. LITTLE, Booker: We Speak

cccxxiv. LITTLE, Booker (1938-1961)

We Speak (1961)
BL, trumpet
Julian Priester, trombone
Eric Dolphy, alto saxophone
Don Friedman, piano
Art Davis, bass
Max Roach, drums
(6:46)


from Out Front.


A relaxed tempo, a beautiful head with Little, Priester and Dolphy playing in tight dissonant harmony. Then the tempo cuts back and Little plays a lyrical, slightly melancholy line. The tempo picks back up and Little solos -- thoughtful, incisive licks without showmanship -- his ideas follow one another smoothly ...

Dolphy's up, wailing, again idea after idea flowing into a continuous stream of post-bop, slightly dissonant cohesive whole.

Little enters again, Roach and Friedman pounding away behind him. He settles into a three-note lick which introduces Roach:

On timpani (!) and kit. Think Also Sprach meets Stockhausen.

The head returns and ends on a #11 chord.

Wednesday, July 20, 2022

cccxxii. ZAPPA, Frank: Wind Up Workin' In A Gas Station

cccxxii. ZAPPA, Frank (1940-1993)

Wind Up Workin' In A Gas Station

Two Versions

from Zoot Allures (1976)
FZ, guitar bass, lead vocals, synth
Terry Bozzio, drums
Davey Moiré, lead vocals
(2:30)



from You Can't Do That On Stage Anymore, Vol. 6 (1992)
FZ, lead guitar, vocal
Ray White, guitar, vocal
Lady Bianca, keyboards, vocal
Eddie Jobson, keyboards
Patrick O'Hearn, bass
Terry Bozzio, drums, vocal
(2:32)



Zoot = studio; YCDTOSA, live at The Spectrum, Philadelphia, October 29, 1976.

**

This here song might offend you some
If it does, it's because you're dumb
That's the way it is where I come from
If you've been there too, let me see your thumb

Let me see your thumb

Show me your thumb if you're really dumb

Hey now, better make a decision
Be a moron and keep your position
You oughta know now all your education
Won't help you no-how, you're gonna ...

Wind up workin' in a gas station ...

Pumpin' the gas every night ...

Manny the Camper wants to buy some white ...

Wind up workin' in a gas station ...

Tuesday, July 19, 2022

cccxxi. BEATLES, THE: I Want To Hold Your Hand

cccxxi. BEATLES, THE

I Want To Hold Your Hand (1964)
John, vocal, rhythm guitar, hand claps
Paul, vocal, bass, hand claps
George, lead guitar, hand claps
Ringo, drums, hand claps
(2:25)


from Meet The Beatles!


The Song That Gave Birth to Beatlemania.

The first Beatles song I ever heard. Age 11.

It was the submediant vi chord that did it (red arrow). Followed by a secondary dominant (blue arrow) [V of vi]. The bridge moves nicely to the subdominant (C).











On October 16, 1963, John and Paul were in the music room at Jane Asher's house playing piano together. They had Oh, you-u-u and got that something ... and then Paul played that magic vi chord.

John: "That's it! Do that again!"

Eyeball-to-eyeball songwriting.

Tuesday, July 12, 2022

cccxiv. ZAPPA, Frank: Honey, Don't You Want a Man Like Me?

cccxiv. ZAPPA, Frank (1940-1993)

Honey, Don't You Want A Man Like Me? (2008)
FZ, guitar, vocals
Norma Jean Bell, alto saxophone, vocals
Napoleon Murphy Brock, tenor saxophone, vocals
Andre Lewis, keyboards
Roy Estrada, bass, vocals
Terry Bozzio, drums, vocals
(3:56)


from Joe's Menage.


Other than a rehearsal tape from Joe's Camouflage, this is the premiere performance of this salty tune about stupid guys.

College of William and Mary, November 1975.

In digging through the Vault for posthumous releases, Joe Travers found a cassette tape which Zappa had given to a fan. Knowing its uniqueness, the fan sent it back to Gail, and Joe & Co. remastered it.

Sunday, July 10, 2022

cccxii. ZAPPA, Frank: Denny & Froggy Relate

cccxii. ZAPPA, Frank (1940-1993)

Denny & Froggy Relate (2014)
Denny Walley, voice
Robert "Frog" Camarena, voice
Novi Novog, voice
(0:31)


from Joe's Camouflage.


Posthumous release of a cassette recording of a 1975 band that rehearsed but never recorded or toured.

Denny is explaining to "Froggy" all the music he needs to learn. Too bad this band was never heard from again.

Novi Novog, and her friends "Chunky" (Ilene Rappaport; aka Lauren Wood) and Ernie Eremita, were all Pittsburghers. Ilene was in my homeroom at Mt. Lebanon High School.

Zappa recorded them on his label the year previously (1974) ...


Chunky, Novi & Ernie

Friday, July 8, 2022

cccx. STEELY DAN / HOOPS McCANN BAND, THE: Glamour Profession

cccx. STEELY DANHOOPS McCANN BAND, THE

STEELY DAN
Glamour Profession (1980)
Donald Fagen, vocals, keyboards
Tom Scott, tenor saxophone, Lyricon
Michael Brecker, tenor saxophone
George Marge, clarinet
Rob Mounsey, keyboards
Bill Tobin, keyboards
Steve Khan, guitar
Steve Gadd, drums
Anthony Jackson, bass
Ralph MacDonald, percussion
Valerie Simpson, backing vocals
Frank Floyd, backing vocals
Lesley Miller, backing vocals
Zachary Sanders, backing vocals
(7:28)


from Gaucho.


6:05

Outside the stadium
Special delivery
For Hoops McCann
Brut and charisma
Poured from the shadow where he stood
Looking good; he's a crowd-pleasing man

One on one, he's schoolyard Superman
Crashing the backboard, he's Jungle Jim again
When it's all over
We'll make some calls from my car

We're a star
(It's a glamour profession)
(The L.A. concession)

Local boys will spend a quarter
Just to shine the silver bowl
Living hard will take its toll
Illegal fun
Under the sun, boys

All aboard
The Carib Cannibal
Off to Barbados
Just for the ride
Jack with his radar
Stalking the dread moray eel
At the wheel
With his Eurasian bride

On the town
We dress for action
Celluloid bikers
Is Friday's theme
I drove the Chrysler
Watched from the darkness while they danced

I'm the one
(It's a glamour profession)
I'm the one
(The L.A. concession)
Local boys will spend a quarter
Just to shine the silver bowl
Living hard will take its toll
Illegal fun
Under the sun, boys

Hollywood
I know your middle name
Who inspired your fabled fools?
That's my claim to fame

Jive Miguel
He's in from Bogota
Meet me at midnight
At Mr. Chow's
Szechuan dumplings
Now that the deal has been done

I'm the one
(It's a glamour profession)
I'm the one
(The L.A. concession)

Local boys will spend a quarter
Just to shine the silver bowl
Living hard will take its toll

Illegal fun
Under the sun, boys
Illegal fun
Under the sun, boys


HOOPS McCANN BAND, THE
Glamour Profession (1988)
Chuck Findley, trumpet, flugelhorn
Slyde Hyde, trombone, tuba
Bill Perkins, soprano, baritone saxophones
Jerome Richardson, soprano, alto saxophones, flute
Jim Coile, soprano and tenor saxophones
Mitch Holder, guitar
Chuck Berghofer, bass
Michael Lang, piano
Paul Humphrey, drums
Joe Rocciano, cond.
(4:26)


from The Hoops McCann Band Plays The Music Of Steely Dan.


Fagen & Becker were ultra-perfectionists, and their arrangements -- however they come off to the average listener -- are extremely detailed and complex.

So why would someone bother to re-arrange them? There are probably hundreds of SD cover bands who try to replicate the originals.

But these guys are something else. To re-arrange them for a big band is a horse of a different color, as the Wizard once said ...

Of course, the name of the band is taken from a character in this song. Check it out.

Monday, July 4, 2022

cccvi. WONDER, Stevie: Can't Imagine Love Without You

cccvi. WONDER, Stevie (1950-       )

Can't Imagine Love Without You (2005)
SW, piano, harmonica
Teddy Campbell, drums
Morris O'Connor, guitar
Greg Phillinganes, electric piano
Nathan Watts, bass
(3:45)



Can you picture mother earth in the palm of your hand
The entire universe as a tiny grain of sand
And it feels impossible to do
As I can't imagine love without you

Think of drinking every sea with its salty waters dry
Sprinting round the world three times faster than a rocket flies
And the thought of it you can't pursue
As I can't imagine love without you

Some thoughts are just no brainers
Not worth an ounce of time
Yet others inconceivable
So they never cross your mind

Travel back through life inside one Atlantis summer's night
Add up every single star
Since the day there first was light
How and where to start
You'll have no clue
As I can't imagine love without you

[Harmonica solo]

Yet others inconceivable
So they never cross your mind

Travel back through life inside one Atlantis summer's night
Add up every single star
Since the day there first was light
How and where to start
You'll have no clue
And the thought of it you can't pursue
Cause it feels impossible to do
As I can't imagine love without
I can't imagine love without you

cmlxxv. MITCHELL, Joni: Songs to Aging Children Come

cmlxxv. MITCHELL, Joni (1943-       ) Songs to Aging Children Come (1969) JM, guitar, vocals Stephen Stills, guitar, bass (3:10) Through th...