Saturday, January 14, 2023

d. BEATLES, THE: Savoy Truffle

d. THE BEATLES

Savoy Truffle (1968)
George, vocal, guitar
Paul, bass, vocal
Ringo, drums, tambourine, bongos
Chris Thomas, keyboards
Art Ellefson, tenor saxophone
Danny Moss, tenor saxophone
Derek Collins, tenor saxophone
Harry Klein, tenor saxophone
Ronnie Ross, baritone saxophone
Bernard George, baritone saxophone
(2:54)


from: The Beatles


George making fun of Eric Clapton's sweet tooth, and frequent dental appointments.

"He was over at my house and I had a box of 'Good News' chocolates on the table and wrote the song from the names inside the lid -- 'creme tangerine,' 'montelimar,' 'ginger sling' -- 'you'll have to have them all pulled out after the Savoy Truffle.'" -- George

Harrison also slipped in a little reference to Paul's Ob-La Di, Ob-Bla-Da.

George also asked engineer Ken Scott to distort the saxes. When the session guys came up to the control room to listen to playback, George said to them:

"Before you listen I've got to apologize for what I've done to your beautiful sound. Please forgive me -- but it's the way I want it."

**









Friday, January 13, 2023

cdxcix. METHENY, Pat: Oceania

cdxcix. METHENY, Pat (1954-       )

Oceania (1996)
PM, guitars
Lyle mays, keyboards
Steve Rodby, bass
Paul Wertico, drums, percussion
(3:47)


from: Quartet


A departure from the normally orchestrated forms the group usually recorded, this is a group improvisation -- mostly acoustic, except when Pat plays that distinctive Roland GR-303.



Wednesday, January 11, 2023

cdxcvii. WEATHER REPORT: Rockin' in Rhythm

cdxcvii. WEATHER REPORT

Rockin' in Rhythm (1980)
Josef Zawinul, keyboards
Wayne Shorter, saxophones
Jaco Pastorius, bass
Peter Erskine, drums
Robert Thomas Jr., percussion
(3:02)


from: Night Passage


From Zawinul's upwards glissando, the band skyrockets into this Duke Ellington tune. With Erskine providing solid backbone, Pastorius decorates everything with way too much soul for any single human being, and JZ plays some amazing licks.

A total winner!



Tuesday, January 10, 2023

cdxcvi. ZAPPA, Frank: Are You Upset?

cdxcvi. ZAPPA, Frank (1940-1993)

Are You Upset? (1991)
FZ, vocal
Lowell George, guitar, vocal
Roy Estrada, bass, vocal
Don Preston, keyboards
Buzz Gardner, trumpet
Ian Underwood, alto saxophone
Bunk Gardner, tenor saxophone
Motorhead Sherwood, baritone saxophone
Jimmy Carl Black, drums
Arthur Dyer Tripp III, drums
(1:29)


from: You Can't Do That On Stage Anymore, Vol. 4


From the Fillmore East, NYC, February 21, 1969 ...

**

The Mothers are playing in 7/8 ...

MOI member: Ah-ah-hah, yeah! POO-AHHHHHH ...

Guy in the Audience: Stop that ... !

FZ: Shh ... shh ...

MOI member: Heavy business, man ...

FZ: Are you upset? ... Say it again ...

Guy in the Audience: FUCK YOU!

FZ: What?

Guy in the Audience: YOU'RE FUCKED!!

FZ: I'm fucked? That's the nicest thing anybody's said to me all day ...

Monday, January 9, 2023

cdxcv. METHENY, Pat: Improvisation No. 1

cdxcv. METHENY, Pat (1954-       )

Improvisation No. 1 (1999)
PM, guitar
Jim Hall, guitar
(1:05)


from: Jim Hall & Pat Metheny


It sounds like they worked a bit out before "improvising" -- a unison line is too well-conceived to just be an accident.

This short cut is a good example of the special comingling of these two great guitar geniuses ...

Sunday, January 8, 2023

cdxciv. BATES, Michael: Some Wounds

cdxciv. BATES, Michael

Some Wounds (2012)
MB, bass
Chris Speed, saxophone, clarinet
Russ Johnson, trumpet
Russ Lossing, keyboards
Tom Rainey, drums
(6:59)

from: Acrobat: Music for, and by, Dmitri Shostakovich


I bought this CD because it had Shostakovich in the title. I reproduce Michael's liner notes in full, because he said it as well as it can be said:

"Few can listen to the musical spectacle of Dmitri Shostakovich and expect to forget it. In his world everything is a paradox. The grotesque mixing with elegance and dissonance, anger and humor, serenity and sarcasm. It is often vicious or quietly raging music that to my ears, contains beauty, poise and compassion, as if he had some kind of insight into the listener's deepest (and possibly, darkest) thoughts. But, because Shostakovich was a man full of mysteries who could say something one day and discount it the next and because nearly everything he did was so laced with sarcasm, it is entirely possible that nothing is how it seems. So it's no surprise that 36 years after his death what we know of his personal life and public persona remain great sources of debate.

One doesn't have to look for to find out why. It's easy to find many stories of just how dangerous it was to be a Russian composer in the age of Stalin. [or a filmmaker in the age of Putin -- LS] How Shostakovich managed to compose and show such creative tenacity under these circumstances is an inspiration and his music leaves an imprint that few others have.

So with gratitude, this is a set composed with these thoughts in mind, and an improviser's take on some of his themes. I take full responsibility for any and all transgressions."

**

This gloomy track is full of mysteries that DSCH would have loved! The playing is superb all around. Dmitri would have loved it.

INDEX to 1000 POSTS NON-CLASSICAL BLOG A-M

N-Z A-HA / Take On Me / ccclxx ABERCROMBIE, John / Timeless / xxiii ABERCROMBIE, John / JOHNSON, Marc / ERSKINE, Peter / Light Beam / cxlix ...