Thursday, October 7, 2021

xxxvi. BECKER, Walter: Surf And/Or Die

xxxvi. BECKER, Walter (1950-2017)

Surf And/Or Die (1994)
WB, vocals, solo guitars, ukelele, bass
Dean Parks, acoustic and electric guitars
John Beasley, keyboards
Donald Fagen, keyboards
Bob Sheppard, woodwind solos
Ben Perowsky, drums
Fima Ephron, bass
Adam Rogers, electric guitar
Katherine Russell, background vocals
Brenda White-King, background vocals
Bruce Paulson, saxophone
Jon Papenbrook, trombone
Paulinho Da Costa, percussion
(6:15)

From 11 Tracks of Whack.


Don't know why Walter never sang lead on a Steely Dan song. He's got a beautiful, unusual voice.

And who else would write a song about a doomed hang-glider (true story), with Tibetan lamas?

Earthbound to Johnny boy just picked up your message
'Bout those Balinese ikats you thought I might buy
Now your voice on my machine is more alive than what you are
Since your daredevil hang glider fell out of the sky

Now Armand's looked all over but he can't find your car keys
Were they under the tire? Were they under the seat?
Because as it stands now your beloved white Aires
Is fair game for the vandals up on Makapuu Street

And your grandmother's number, well we know it's here somewhere
But Suze can't seem to find it, now she's losing control

And so what about her, and little Eldon and Layla
And that hypothetical spectre, your gilt-edged soul

Which defied many perils, in the face of all reason
And in so many settings and for all your young years
Insisting on pure freedom for its too-short season

Riding high on its ration of enchantment and fear
Over the hill and on into the next meadow and on and on and on and on

Well, in a near random universe there are still certain combinations
Picked out from all the other possible ones
Which, when given some time and the just-right circumstances
Not too far from the earth or too close to the sun

They will dance and they'll spin in the embrace of the trade winds
Playing havoc with the hearts and the upturned faces down below
Until the laws of curved spacetime, susponed without warning
Kick back in with a vengeance for the last act of the show

Going too far too fast in that final wing over
As your glider comes tumbling out of the clouds
And you clutch at your chest but the chute never opens
And they find you there tangled in that white nylon shroud

When we get Grandma's number I think I'll just tell her
Your boy's home for Christmas, it was a hell of a ride
And I know that someday you'll be showing me those blankets
All covered in glory on the hereafter side, saying
There was never any question, it was always all or nothing

Surf and/or die

Wednesday, October 6, 2021

xxxv. PURIM, Flora: Angels

xxxv. PURIM, Flora (1942-       )

Angels (1977)
Flora, wordless vocals
Ndugu, drums
Al McKay, guitar
Patrice Rushen, keyboards
(3:37)

From Nothing Will Be As It Was ... Tomorrow.


This song (written by McKay and Phillip Bailey) just takes my breath away.

It's funky, it's totally in-the-pocket.

And Flora is one of the greatest singers ever. Here she sings wordless.

Tuesday, October 5, 2021

xxxiv. OPPERMAN, Chris: Waking Up

xxxiv. OPPERMAN, Chris (1978-       )

Waking Up (2020)
(3:38)

from Chamber Music From Hell.


Chris is a serious composer who's worked with Steve Vai and Mike Keneally.

Chamber Music is sort of a concept album, with a sci-fi read-along booklet that provides a weird landscape to accompany the very weird -- but very beautifully introspective --music. Like Vai and Keneally, a true heir to Frank Zappa.

Monday, October 4, 2021

xxxiii. URBANIAK, Michal: Butterfly

xxxiii. URBANIAK, Michal (1943-       )

Butterfly (1974)
Urbaniak, electric violin
Urszula Dudziak, voice
Pawel Jarzebski, bass
Czeslaw Bartkowski, drums
Wojciech Karolak, keyboards
(7:16)

From Atma.



Urbaniak took fusion in a unique direction. This tune is structured with a beautiful harmonic design, cool changes, thoughtful soloing and unexpected moments.

That's his ex-wife singing incredibly impossible vocal lines.

Great memories of working with Danny Seidenberg, transcribing this thing back then.

Here's Urbaniak's inventive violin solo:










Sunday, October 3, 2021

xxxii. GOODMAN, Jerry & HAMMER, Jan: Steppings Tones

xxxii. GOODMAN, Jerry (1949-       ) & HAMMER, Jan (1948-       )

Steppings Tones (1974)
Goodman, violin
Hammer, keyboards, drums
(3:30)

From Like Children.


I love the basic simplicity of this tune and its internal complexity.

Tones ring out and you count in in FOUR.

Then Hammer adds a simple piano lick in 5/8.

Next, Hammer adds a drum part in 5/4, so that the 5/8 becomes 10/8.

Then Goodman enters. The thing just repeats from there, but this is gorgeous music in its complex simplicity.

Saturday, October 2, 2021

xxxi. EMERSON, LAKE & PALMER: Tarkus

xxxi. EMERSON, LAKE & PALMER

Tarkus (1971)
Keith Emerson, keyboards
Greg Lake, vocals, bass guitar
Carl Palmer, drums and percussion
(20:39)

From Tarkus.



This music by three dudes is as incredible as the album cover.

A long sustained chord leads into a rousing FIVE. This the best of the best of the progressive rock scene from the early 70's. Fifty years ago!

Friday, October 1, 2021

xxx. STEELY DAN: Almost Gothic

xxx. STEELY DAN

Almost Gothic (2000)
Donald Fagen, lead vocals, Wurlitzer
Walter Becker, guitar
Ted Baker, Fender Rhodes
Leroy Clouden, drums
Lawrence Feldman, tenor saxophone
Lou Marini, alto saxophone
Chris Potter, alto saxophone
Michael Leonhart, trumpet
Carolyn Leonhart, background vocals
(4:09)

from Two Against Nature.


The intro's in A Major; on the 7th bar, they end on a B7 chord -- you expect it to resolve to E Major, but instead they land on E-Flat Major! A real ear-jerker.

I'm working on gospel time these days
(The summer this could be the cool part of the summer)

The sloe-eyed creature in the reckless room
She's so severe
A wise child walks right out of here

I'm so excited I can barely cope
I'm sizzling like an isotope
I'm on fire so cut me some slack
First she's way gone then she comes back

She's all business then she's ready to play
She's almost gothic in a natural way

This house of desire is built foursquare
(The city the cleanest kitten in the city)

When she speaks it's like the slickest song I've ever heard
I'm hanging on her every word

As if I'm not already blazed enough
She hits me with the cryptic stuff
That's her style, to jerk me around
First she's all feel then she cools down

She's pure science with a splash of black cat
She's almost gothic and I like it like that

This dark place so thrilling and new
It's kind of like the opposite of an aerial view
Unless I'm totally wrong
I hear her rap and brother it's strong

I'm pretty sure that what she's telling me is mostly lies
But I just stand there hypnotized

I'll just have to make it work somehow
I'm in the amen corner now
It's called love, I spell L - you - V
First she's all buzz then she's noise-free

She's bubbling over then there's nothing to say
She's almost gothic in a natural way

She's old school then she's like young
Little Eva meets the Bleecker Street brat
She's almost gothic but it's better than that

INDEX to 1000 POSTS NON-CLASSICAL BLOG A-M

N-Z A-HA / Take On Me / ccclxx ABERCROMBIE, John / Timeless / xxiii ABERCROMBIE, John / JOHNSON, Marc / ERSKINE, Peter / Light Beam / cxlix ...