ciii. METHENY, Pat (1954- )
from Letter From Home.
A steady beat and changes filled with color precede Lyle's haunting "harmonica-synth" melody. A descending (or ascending) four-note chromatic insert is a typical Metheny trick to add richness to the harmonies.
Pat takes the first solo, then Mays on piano.
The tune ends on a soft magical transition from FMaj9 to F#m9.
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